Oscar-Claude Monet, or just known as Monet, was a prominent painter of French origin who was born on November 14, 1840.
His work is widely recognized for its style so closely related to its lines, which precisely For this reason, it is considered that he contributed to impressionist art.
At the age of 86, he died on December 5, 1926. Even so, he continues to be recognized in the art world, classified as one of the best.
The best thing is that what Monet had to say, based on what he thought, is also interesting, so, It is ideal to know their phrases, quotes and messages.
Claude Monet’s quotes about art
Just like many other painters, the best-known case being that of , Monet began to be more appreciated for his works after his death, but he remains alive through them, although in the same way, thanks to his words, which we expose with the next sentences:
1. Everyone talks about my art and tries to understand, as if it were necessary to understand, when it is simply necessary to love.
Many times art is not about understanding, but about feeling.
2. If the world really looks like this, I won’t paint anymore!
3. No, I’m not a great painter. I’m not a great poet either.
4. It’s about knowing how to use colors, the choice of which is, after all, a matter of habit.
5. The only merit I have is having painted directly from life in order to transmit my impressions against the most fugitive effects.
6. My garden is my most beautiful masterpiece.
7. I would like to paint how a bird sings.
8. The real theme of each painting is light.
9. Other than painting and gardening, I’m not good at anything.
10. While adding finishing touches to a painting may seem insignificant, it is much more difficult than one might assume.
eleven. I want to paint the air in which the bridge, the house and the ship are located, the beauty of the air that surrounds them, and that is nothing short of impossible.
12. Paint what you really see, not what you think you should see. Not the isolated object as in a test tube, but the object enveloped in sunlight and atmosphere, with the blue dome of Heaven reflected in the shadows.
13. I know very well in advance that you will find my paintings perfect. I know that if they expose themselves they will have great success, but I couldn’t be more indifferent, since I know that they are bad, I’m sure.
14. Color is my obsession, joy and torment throughout the day.
fifteen. My work is always better when I’m alone and follow my own impressions.
16. I can only draw what I see.
17. I didn’t become an impressionist. For as long as I can remember, I have always been one.
18. The only thing I did was look at what the universe showed me, let my brush bear witness to it.
19. ‘Water Lilies’ is an extension of my life. Without water lilies can’t live, like I can’t live without art.
twenty. I never finish with my paintings, the further I go, the more I search for the impossible and the more helpless I feel.
twenty-one. Take clear water with grass waving at the bottom. It’s wonderful to look at, but trying to paint it is enough to drive you crazy.
22. I never draw except with a brush and paint.
23. I waited for the idea to consolidate, for the grouping and composition of themes to settle in my brain.
24. Maybe I should have become a flower painter.
25. I am very depressed and deeply disgusted with the painting. It is really a continuous torture.
26. Nothing in the whole world interests me more than my painting and my flowers.
27. I have done what I can as a painter and it seems enough to me. I don’t want to be compared to the great masters of the past, and my painting is open to criticism, that’s enough.
28. It took me a while to understand my water lilies. He had planted them for the fun of it. I grew them without thinking about painting them.
29. I’m in top shape and eager to paint.
30. Colors haunt me like a constant concern. They even worry me while I sleep.
31. No one is an artist if they do not carry their painting in their head before painting it, and are sure of their method and composition.
32. I’ve spent so much time on some paintings that I don’t know what to think of them anymore, and I’m definitely becoming harder to please, nothing satisfies me.
33. I say that anyone who claims to have finished a canvas is terribly arrogant.
3. 4. For me, the subject is secondary: I want to convey what is alive between the subject and me.
35. I’m not working miracles, I’m spending and wasting a lot of paint.
36. With the sole example of this painter dedicated to his art with such independence, my destiny as a painter was opened to me.
37. I only think about my painting, and if I dropped it, I think I would go crazy.
38. I have no shortage of illusions as you can see, since I have something like 65 canvases covered in paint and I will need more since the place is quite out of the ordinary, so I am going to order some more canvases.
39. I would love to make silhouettes of orange and lemon trees against the blue sea, but I can’t find them the way I want them.
40. The effect of sincerity is to give one’s work the character of protest. The painter, concerned only with conveying his impression, simply seeks to be himself and no one else.
41. What can you say about a man who is interested in nothing more than his painting? It’s a shame if a man can only be interested in one thing. But I can’t do anything else. I only have one interest.
42. When you go out to paint, try to forget what objects you have in front of you, a tree, a house, a field or whatever. Just think that here is a small square of blue, here an oblong of pink, here a stripe of yellow, and paint it just as you see fit, the exact color and shape.
43. Most people think I paint fast. I paint very slowly.
44. If the weather improved, there would be hope for some work, but it rains every day.
Inspirational Claude Monet Quotes
Letting yourself be inspired by Monet’s phrases may be all you need to continue on the path of art, or any other path you have considered:
Four. Five. I continue to work hard, not without periods of discouragement, but my strength returns.
This is a phrase from Monet about being mentally exhausted, which tells us that, despite difficult times, it is essential to move forward.
46. I want the unattainable. Other artists paint a bridge, a house, a boat, and that’s the end. They finished. I want to paint the air around the bridge, the house, the ship, the beauty of the air in which these objects are located, and that is nothing short of impossible.
47. It is through observation and reflection that one finds the way. So we must dig and delve endlessly.
48. It is a tragedy that we live in a world where physical courage is so common and moral courage is so rare.
49. I had so much fire in me and so many plans.
fifty. Man never looks at the sky because he always has it in sight.
51. What keeps my heart awake is the colorful silence.
52. It is better to have done something than to have been someone.
53. You can do something if you can see it and understand it…
54. The most difficult thing is to be alone in being satisfied with what you have done.
55. I’m quite happy: although what I do is far from what I would like, I am complemented quite often anyway.
56. It really is terribly difficult to make something complete in every respect, and I think most people are content with mere approximations. Well, my dear friend, I intend to fight, scrape and start again.
57. The older I get, the more I realize that I have to work very hard to reproduce what I’m looking for: instantaneous. The influence of the atmosphere on things and the light scattered everywhere.
58. I’m knocked out, I’ve never felt so exhausted physically and mentally, I’m quite silly about it and I just long for bed, but I’m happy.
59. I would advise young artists to paint however they can, while they can, without fear of painting badly.
60. I don’t have many years left and I must dedicate all my time to painting, in the hope of eventually achieving something worthwhile, something that, if possible, will satisfy me.
61. You’ll understand, I’m sure I’m chasing the slightest sliver of color. It’s my fault. I want to capture the intangible. It’s terrible how the light runs out. The color, any color, lasts for a second, sometimes 3 or 4 minutes at most.
62. It’s difficult to stop in time because you get carried away. But I have that strength, it’s the only strength I have.
63. Think of me getting up before 6, being at work at 7 and continuing until 6.30 in the afternoon, standing the whole time, nine canvases. He is a murderer.
64. I am working hard with more determination than ever. My success at the salon led me to sell several paintings and since his absence I have earned 800 francs. I hope that when I have contracts with more distributors, it will be even better.
Monet’s Messages from Nature
It is common for painters to take nature in all its forms as a source of inspiration, and of course Monet did so at the time, with scenes that we saw most frequently in his paintings, speaking a lot about the subject:
65. The wealth I achieve comes from nature, the source of my inspiration.
Nature has many beauties, so many that they inspire all painters.
66. These landscapes of water and reflection have become an obsession.
67. The light changes constantly, and that alters the atmosphere and the beauty of things every minute.
68. Light is the most important person in the image.
69. I must have flowers, always, and always.
70. Nature will not be called to order and will not be kept waiting. You have to catch it, well caught.
71. It’s enough to drive you crazy, trying to represent the weather, the atmosphere, the environment.
72. I have once again taken up things that cannot be done: water with herbs that are woven in the bottom. But I’m always tackling that kind of stuff!
73. It seems to me that when I see nature I see it done, completely written, but then try to do it!
74. The techniques vary, the art remains the same, it is a transposition of nature that is both forceful and sensitive.
75. When I look at nature, I feel like I can paint everything, write everything down, and then you can forget about it once you’re working.
76. I have not yet managed to capture the color of this landscape, there are moments when I am horrified by the colors I have to use, I am afraid that what I am doing is terrible and yet I am really underestimating it, the light is simply terrifying.
77. For me, a landscape does not exist by itself, since its appearance changes every moment, but the surrounding atmosphere gives it life: the light and air that continually vary. For me, it is only the surrounding atmosphere that gives the themes their true value.
78. I do what I can to convey what I experience in nature and most of the time, to be able to convey what I feel, I completely forget the most basic rules of painting, if they exist.
79. Now I really feel the landscape, I can be bold and include all shades of blue and pink: it’s lovely, it’s delicious.
80. For me, a landscape does not exist by itself, since its appearance changes at any time.
81. These landscapes of water and reflections have become an obsession. It is well beyond my capabilities at my age and yet I want to succeed in expressing what…